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Sain (Recordiau) Cyf. · CC BY-SA 3.0
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Erwau'r Daith
Aled Wyn Davies
Album artwork for Aled Wyn Davies, provided through the SAIN Records collection on Wikimedia Commons.
Inside the image.
A square photographic cover shows a smiling man in a dark suit, white shirt and patterned purple tie, framed from about the waist up. He occupies most of the left and lower part of the image, with his face near the upper-left centre and his shoulders angled slightly towards the viewer. His dark, wavy hair is swept back. One arm extends down towards the lower edge, where the crop cuts off his hands and the rest of his body.
Behind him is a softly focused, leafy outdoor setting. Green foliage fills the background, with pale patches of light and a few small bright highlights between the leaves. A large blurred leaf crosses the foreground at the right, partly overlapping the lettering and helping distinguish the sharply focused portrait from the garden behind it. The image is cropped close to the man, and there is no visible border.
The suit is nearly black with a subtle sheen and broad grey highlights across the lapels and sleeves. His tie has a repeating pale diamond pattern over purple and blue tones. White lettering at the upper right reads “ERWAU’R DAITH”, arranged on two lines in tall, condensed block capitals. Near the lower right, over the dark suit, “Aled Wyn Davies” appears in smaller white italic lettering with a fine, elegant appearance. The bright type stands out against the green foliage and dark clothing. The cover is a colour photograph with shallow focus and natural, dappled light; the portrait is crisp while the background leaves are blurred.
What the image evokes.
The cover balances the formality of a studio-style portrait with the looseness of a garden snapshot. The suit, tie and upright pose suggest ceremony, while the broad smile and sunlit leaves make the scene feel approachable and open-air. The softened greenery gives the portrait a pleasant, almost pastoral setting without resolving into a specific place.
The tall, compressed title seems to rise out of the foliage, its clean white shapes lending the image a confident, contemporary polish. The smaller italic name introduces a more personal, almost handwritten note, though its lettering remains carefully composed. Together, the two treatments bridge public presentation and individual warmth. The foreground leaf interrupts the neatness slightly: a casual, fleeting intrusion that keeps the scene from feeling wholly staged.
Associations are subjective readings, rather than documented influences or statements of the artist’s intention.
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These visual notes are offered under CC BY 4.0. Credit dbcovers, link to the source, keep the licence information and indicate any changes.
Ready-to-use attribution
Other attribution formats are allowed when reasonable for the medium and context. The artwork has its own separate licence.
Lettering & observation notes
- ERWAU’R DAITH — Upper right, in two lines of tall white capitals.
- Aled Wyn Davies — Lower right, in white italic lettering over the suit.
Artwork sources & licence.
Credit the author and source, link to the licence and indicate any changes. Share adaptations under compatible terms. Read the full licence for details.
- Source year
- 2015
- Source author field
- Sain (Records) Ltd
- Attribution
- Sain (Recordiau) Cyf.
- Collection
- SAIN / Wikimedia Commons
- Catalogue number
- Sain SCD2734
- Permission evidence
- Public VRT notice: 2017050910011681
- Source checked
- 20 October 2026
Year as recorded on the source file page; it may not represent the work’s first release. File unchanged; browser preview scaled proportionally.